Translation of "oakley" to Spanish language:
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Examples (External sources, not reviewed)
| Oakley | OakleyCity in Kansas USA |
| It was written by Bill Oakley and Josh Weinstein and directed by Jeffrey Lynch. | Bill Oakley y Josh Weinstein fueron los escritores, y Jeffrey Lynch el director. |
| The episode was written by Bill Oakley and Josh Weinstein, and directed by Wes Archer. | El episodio fue escrito por Bill Oakley y Josh Weinstein, y dirigido por Wes Archer. |
| The episode was written by Bill Oakley and Josh Weinstein, and directed by Bob Anderson. | El episodio fue escrito por Bill Oakley y Josh Weinstein, y dirigido por Bob Anderson. |
| The episode was written by Bill Oakley and Josh Weinstein, and directed by Mark Kirkland. | El episodio fue escrito por Bill Oakley y Josh Weinstein y dirigido por Mark Kirkland. |
| The episode was written by Bill Oakley and Josh Weinstein, and directed by Jeffrey Lynch. | El episodio fue escrito por Bill Oakley y Josh Weinstein, y dirigido por Jeffrey Lynch. |
| The episode was written by Bill Oakley and Josh Weinstein, and directed by Wes Archer. | El episodio fue escrito por Bill Oakley y Josh Weinstein y dirigido por Wes Archer. |
| The episode was directed by Wes Archer and written by Bill Oakley and Josh Weinstein. | El episodio fue escrito por Bill Oakley y Josh Weinstein, y dirigido por Wes Archer. |
| Production The episode was written by Bill Oakley and Josh Weinstein, and directed by Wes Archer. | Producción El episodio fue escrito por Bill Oakley y Josh Weinstein, y dirigido por Wes Archer. |
| Bill Oakley and Josh Weinstein resurrected the story, and decided to use it for season eight. | Bill Oakley y Josh Weinstein revivieron la historia, y decidieron usarla para la octava temporada. |
| This episode was also the final episode with Bill Oakley and Josh Weinstein as show runners. | El episodio fue el último en el cual Bill Oakley y Josh Weinstein fueron productores ejecutivos. |
| Bill Oakley wrote the Chalmers scene because he is his all time favorite character from the show. | Bill Oakley escribió la escena de Chalmers porque es su personaje favorito del programa. |
| They wanted the family episodes to be realistic, and Oakley thought Homer the Smithers was a good example. | Querían que los episodios sobre la familia fueran realistas, y Oakley consideraba que Homer the Smithers sería un buen ejemplo. |
| The crowd on the street who laugh at Nelson includes caricatures of Matt Groening, Bill Oakley and Josh Weinstein. | La multitud en la calle que se ríe de Nelson incluye caricaturas de Matt Groening, Bill Oakley y Josh Weinstein. |
| The idea for the episode was first conceived by Bill Oakley who thought that Homer should have an enemy. | La idea para Homer's Enemy fue concebida por Bill Oakley, que pensaba que Homer debía tener un enemigo. |
| The short inspired writers Bill Oakley and Josh Weinstein to produce the season seven episode 22 Short Films About Springfield . | El corto, más tarde, inspiró a Bill Oakley y Josh Weinstein a producir el episodio de la 22 Short Films About Springfield . |
| Oakley particularly liked the animation of the lights inside the casino on the slot machines and the lamps in the ceiling. | A Oakley le gustó particularmente la animación de las luces dentro del casino provenientes de las máquinas tragamonedas y de las lámparas en el techo. |
| Bill Oakley and Josh Weinstein greatly enjoyed the episode and thought of it as a great final episode that they ran. | Bill Oakley y Josh Weinstein disfrutaron ampliamente el episodio y pensaron que fue meritorio para ser el último que tendrían como productores ejecutivos. |
| The show runners for the seventh production season were Bill Oakley and Josh Weinstein who would executive produce 21 episodes this season. | Los productores ejecutivos de la séptima temporada fueron Bill Oakley y Josh Weinstein, quienes producirían 21 episodios de la temporada. |
| Writers Bill Oakley and Josh Weinstein were very interested in the Watergate scandal and based a lot of the second act on that. | Los guionistas Bill Oakley y Josh Weinstein estaban muy interesados en el escándalo de Watergate y basaron gran parte del segundo acto en el mismo. |
| Oakley commented that the stuffed polar bear had always been in Burns' office, and they were excited to finally have a use for it. | Oakley comentó que el oso polar siempre había estado en la oficina de Burns y que se entusiasmó mucho ante la idea de darle finalmente un uso. |
| Oakley wrote in the script that the street was filled with Springfield's biggest idiots and so the animators drew him, Weinstein and Groening into the scene. | Oakley escribió en el guion que la calle estaba llena de los idiotas más grandes de Springfield, y los animadores lo dibujaron a él, Weinstein y Groening en la escena. |
| Bill Oakley has said that Peter Frampton is one of his favorite guest stars and he wished he could have done a TV show with him. | Bill Oakley ha dicho que Peter Frampton es una de sus estrellas invitadas favorita y que desearía haber hecho un programa televisivo con él. |
| George Meyer and John Swartzwelder, Conan O'Brien, Frank Mula and future show runners Bill Oakley and Josh Weinstein all stayed with the show following the previous season. | George Meyer, John Swartzwelder, Conan O'Brien, Frank Mula y los que serían productores ejecutivos Bill Oakley y Josh Weinstein permanecieron en el programa. |
| The idea for the dinner party came from Bill Oakley, who had wanted to have a party similar to the one in The War of the Simpsons . | La idea de la cena en la casa de los Simpson la tuvo Bill Oakley, quien quería que tuviesen una fiesta similar a la del episodio The War Of The Simpsons . |
| Alf Clausen, Bill Oakley and Josh Weinstein were also nominated for Outstanding Individual Achievement in Music and Lyrics for the song Señor Burns from Who Shot Mr. Burns? | Alf Clausen, Bill Oakley y Josh Weinstein fueron nominados en la categoría Logro individual en música y letra por la canción Señor Burns de Who Shot Mr. |
| Oakley wrote the Superintendent Chalmers story, Weinstein did the Comic Book Guy and Milhouse scene, David Cohen penned the Reverend Lovejoy sketch, as well as the deleted Krusty scene. | Oakley escribió la historia del Superintendente Chalmers, Weinstein la del Sujeto de las Historietas y Milhouse, y David Cohen la del Reverendo Lovejoy, así como también la de Krusty, que fue borrada. |
| When the show runners of this season, Bill Oakley and Josh Weinstein, took over the job from David Mirkin, they wanted to take the show back to the Simpson family. | Cuando los productores ejecutivos Bill Oakley y Josh Weinstein reemplazaron a David Mirkin, querían que el programa volviera a centrarse en la familia Simpson. |
| The scene in which Milhouse passes Lisa's note to Nelson was written by Bill Oakley, with the line He can't hear you, we had to pack his ears with gauze being George Meyer's line. | La escena en la cual Milhouse le pasa a Nelson la nota que había escrito Lisa fue escrita por Bill Oakley, y la línea de No puede oírte, tiene los oídos cubiertos con gasa la ideó George Meyer. |
| As it was the final episode they ran, Oakley and Weinstein wanted to end on a good note, with Weinstein stating the episode, was meant to embody the humor, depth, and emotions of The Simpsons . | Como era el último episodio que producirían, Oakley y Weinstein querían terminarlo bien, y Weinstein dijo que el episodio estuvo planeado para mostrar el humor, la profundidad y las emociones de Los Simpson . |
| It was written by Richard Appel, David S. Cohen, Jonathan Collier, Jennifer Crittenden, Greg Daniels, Brent Forrester, Rachel Pulido, Steve Tompkins, Josh Weinstein, Bill Oakley and Matt Groening, with the writing being supervised by Greg Daniels. | Fue escrito por Richard Appel, David S. Cohen, Jonathan Collier, Jennifer Crittenden, Greg Daniels, Brent Forrester, Rachel Pulido, Steve Tompkins, Josh Weinstein, Bill Oakley y Matt Groening, con la supervisión de Greg Daniels, y dirigido por Jim Reardon. |
| Bill Oakley has said that he felt that the episode would have failed had they stuck with the Van Houtens for the third act and most of the other writers also felt that it was the right move. | Bill Oakley dijo que le parecía que el episodio no habría tenido éxito si se hubiese limitado a tratar sobre los Van Houten también en el tercer acto, y la mayoría de los escritores estuvo de acuerdo. |
